The Devil’s Artisan
‘Though an angel should write, / still ’tis devils must print.’
— Thomas Moore (1779–1852)
PREVIOUS ISSUES
DEVIL’S ARTISAN #36, SPRING / SUMMER 1995
Sekishu Paper: Preserving a Tradition
Sekishu Paper: Preserving a Tradition. By Nancy Jacobi.
A Report on a Carl Dair Colloquium by Roger Burford Mason.
A Checklist of DA Covers and Inserts, 1980-94. And an Index of Printers for DA Covers and Inserts, 1980-94. This number is very bibliographically weighted. It appears Diane Egerton realized her days as editor were dwindling, and she wanted very much to review her achievement(s). Fair enuf, but the issue is dry.
Printed offset on the Heidelberg KORD at the printing office of the Porcupine's Quill in the Village of Erin, Wellington County, Ontario, Canada.
Smyth sewn into 16-page signatures.
Keepsake laid in was designed and printed letterpress by Paul Hunter at the Mammoth Hall Press. A nice cut, but it is not numbered, and not signed.
The cover was designed and printed offset by Tim Inkster at the Porcupine's Quill. The cover features two additional engravings by Gerard Brender a Brandis taken from Portraits of Flowers (the Porcupine's Quill).
The Devil’s Artisan would like to acknowledge the generous financial support of the Canada Council for the Arts and the Ontario Arts Council.
In This Issue:
Sekishu Paper: Preserving a Tradition. By Nancy Jacobi
A Checklist of DA Covers and Inserts, 1980-94. And an Index of Printers for DA Covers and Inserts, 1980-94. This number is very bibliographically weighted. It appears Diane Egerton realized her days as editor were dwindling, and she wanted very much to review her achievement(s). Fair enough, but the issue is dry.