The Devil’s Artisan
‘Though an angel should write, / still ’tis devils must print.’
— Thomas Moore (1779–1852)
PREVIOUS ISSUES
DEVIL’S ARTISAN #55, FALL/WINTER 2004
Design at UTP: Kurschenska, Lewis & Dorn
Touch, Community and Aesthetics: Where Harold Kurschenska's Designs Take Us. Includes ten illustrations and two photographs of Harold Kurschenska. By Brian Donnelly.
Harold Kurschenska's Private Press Printing: A Preliminary Checklist. By Don McLeod and Brian Donnelly.
General Specialist, Special Generalist: Laurie Lewis's Many Roles at the University of Toronto Press. Includes photographs of Laurie Lewis, Will Rueter, Allan Fleming, Antje Lingner, and Robert MacDonald. By Brian Donnelly.
Revolutionary Ink: Negotiating a Canadian Modern in the Work of Peter Dorn. Includes two photographs of Peter Dorn. By Brian Donnelly.
About the Art of the Book in Canada (1971). By Peter Dorn.
Printed offset by Tim Inkster on the Heidelberg KORD at the printing office of the Porcupine's Quill in the Village of Erin, Wellington County, Ontario, Canada. Smyth sewn into 16-page signatures with hand-tipped endleaves front and back.
Keepsake laid in is after an image entitled `Brown-eyed Susans'. It was printed letterpress in two colours on the VanderCook by Peter Bartl and Jane Merks at pb+j press, Balfour, British Columbia.
The Devil’s Artisan would like to acknowledge the generous financial support of the Canada Council for the Arts and the Ontario Arts Council.
In This Issue:
Touch, Community and Aesthetics: Where Harold Kurschenska’s Designs Take Us
Harold Kurschenska’s Private Press Printing: A Preliminary Checklist
General Specialist, Special Generalist: Laurie Lewi’s Many Roles at the University of Toronto Press.