Can you believe that in a few short months we’ll be celebrating the release of yet another fascinating issue of Canada’s journal of the printing arts, The Devil’s Artisan? It seems like forever ago, but also just yesterday that we were announcing the arrival of DA 86.
But we don’t like to be idle, so even as you’ve sat down to enjoy the latest issue, we’ve been turning our attention to the next, and we’re too excited not to let you in on some of the developments.
So, to whet your appetite for the Fall/Winter 2020 issue, today we he have a treat for you: a cover reveal! You (yes, you!) are the first to clap eyes on the outstanding cover, and, if you look closely, you’ll be able to discern the lead article, too.
Isn’t it stupendous? I absolutely love the bright carnival design–it evokes such joy and nostalgia! It definitely promises and entertaining look at some regional Canadian design history.
We hope you enjoyed this sneak peek at the cover of our next issue. Check back in a few weeks for a sneak peek at the contents!
At long last, we’re pleased to finally have print copies of the latest issue of the Devil’s Artisan: number 86! Keep scrolling for a little peek inside the covers of this lovely tome.
This issue features a fascinating comparison of the work of the late Bill Poole—a printer, designer and educator who was instrumental in founding the Grimsby Wayzgoose as well as founder of Poole Hall Press.
I particularly enjoyed looking at all the wonderful photographs of old presses in Stephen Sword’s investigation into cylinder presses in Canadian museums.
Heavenly Monkey is a small press known for producing beautiful letterpress editions on handmade paper. Librarian John Shoesmith delves into the whys and hows of Heavenly Monkey’s publishing process in his interview with Rollin Milroy.
Don’t miss Larry Thompson’s photo tour of the new MacOdrum Library Book Arts Lab at Carleton University, not to mention recurring DA features such as our rogues and type specimens.
If you’re finding yourself with some extra time on your hands—and with a desire to nurture a creative spark or two—we’ve got just the thing for you: a fabulous new addition to our dingbats section.
Whether you’re an experienced graphic designer or just beginning to experiment with the pleasures and perils of the art form, our Garamond Ornaments page is a great starting point for your next design project. The collection features a variety of print-resolution graphics specifically chosen for use with the classic old-style serif typeface known as Garamond.
With its roots in sixteenth-century France, Claude Garamond’s storied typeface has been a staple of French design for centuries. Many new revival faces, including the ubiquitous Monotype Garamond, which often ships with Microsoft Office products, and Adobe Garamond, often used in print publications, have ensured that Garamond continues to be a popular choice for designers and non-designers alike.
But what to pair with such a vaunted typeface?
he majority of the ornaments, rules and initials included on the Garamond Ornaments page come from An Exhibit of Garamond Type with Appropriate Ornaments, a volume produced in 1927 by the American company Redfield-Kendrick-Odell. We have also included on the page a reproduction of an introductory text entitled “Garamond & His Famous Types” by type historian Henry Lewis Bullen for those seeking context, available as a print-resolution PDF (set, naturally, in Adobe Garamond).
We hope you enjoy this free resource, and we’d love to see the beautiful projects you make with the help of these lovely dingbats. Keep in touch!
On Sunday, December 8, book lovers and printing enthusiasts alike were treated to a delightful display of book arts talents at the Arts and Letters Club in Toronto. A wide variety of artisans displayed and sold their wares in a beautiful venue perfectly suited to the task. If you missed the event but still want to see what went down, here are some photos helpfully provided by DA‘s Don McLeod.
Tim and Elke Inkster of the Porcupine’s Quill and the Devil’s Artisan were friendly faces behind the table.
Engraver Mark Huebner displayed some of his prints.
Alan Stein was on hand with some of the Church Street Press’s beautiful printed work.
Chester Gryski, Anne Sutherland and Sandie Eadie took in the fair.
Dr. Ernie Kerr, wood engraver George A. Walker and filmmaker Jeff Winch.
Artist and cartoonist Alan King had a very eye-catching display.
Martin Howard, who has one of the largest collections of antique typewriters in the world, exhibited some of his collection. (You can see more of his collection at antiquetypewriters.com.)
Love the colour and excitement in this bird’s-eye view!
We hope you enjoyed this look at some of the festive and artistic sights at the 2019 Bound Book Arts Fair. Perhaps it will convince you to join us next year?
The Devil's Artisan is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village.
We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.
To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing
in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving.
Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.
The Devil's Artisan would like to acknowledge the financial support of the Government of Canada through the Canada Magazine Fund (CMF) through the Support for Arts and Literary Magazines (SALM) component toward our editorial and production costs. Thanks, as well, for the generosity of the Canada Council for the Arts, the Ontario Arts Council, and the Sleeman Brewing Company.