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The Porcupine's Quill
Celebrating thirty-five years on the Main Street
of Erin Village, Wellington County
Blog
Author Archives: Devil's Artisan
Little known facts about Louis Blake Duff
A recent and extremely interesting email from Colin Jose, a reader of DA and historian at the Soccer Hall of Fame in Vaughan, Ontario. The specific issue Colin refers to is DA 54, Spring/Summer 2004. ———- Forwarded message ———- From: Colin … Continue reading
Printeresting
Many thanks to Anthony Drehfal of Block & Burin for this bit of arcana. http://printeresting.org/2009/05/14/journeys-in-printing-with-inkster
Review of DA 62 & 63 in Papers of the Bibliographical Society of Canada, Spring 2010
Graphic design historian Brian Donnelly describes the state of design history in Canada as ‘dispossessed because it has not been formally established or preserved through time.’ By way of redress DA (The Devil’s Artisan): A Journal of the Printing Arts … Continue reading
The Power of Design
‘Sir. I am new to DA, so I do not know if you publish comments. Nevertheless … One sentence in DA 63 calls for comment. Brian Donnelly wrote, about the Hudson’s Bay company redesign, ‘Indeed, the power of design might … Continue reading
The Devil's Artisan is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.
To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.
The Devil's Artisan would like to acknowledge the financial support of the Government of Canada through the Canada Magazine Fund (CMF) through the Support for Arts and Literary Magazines (SALM) component toward our editorial and production costs. Thanks, as well, for the generosity of the Canada Council for the Arts, the Ontario Arts Council, and the Sleeman Brewing Company.